Unique Elements:

• Short timeline for design process which lead to many discoveries and changes late in the process

• Extensive scenic transitions at each act break

• Stage Managed this show in addition to my full time job as Production Manager at Otterbein University

Unique Elements:

• Equity SPT Tier 3 Contract, non-union crew

• Operated sound and lighting boards through 3 week run

• Highly realistic set with extensive props and consumables tracking in a short 1.5 week rehearsal process before tech

Unique Elements:

• Produced at the 2,800 seat Ohio Theatre with crew from IATSE Local 12

• Intricate scheduling with principal performers flying back and forth between our rehearsals and performances at The Metropolitan Opera in NYC as well as 9 local chorus members, and 11 local supernumeraries with complex availability and conflicts

• First co-production between Opera Columbus & Columbus Symphony on a grand scale in over 20 years

• All calls made from the piano vocal score (Ricordi)

Unique Elements:

• This show required working with New Ohio Wrestling and holding several rehearsals in their training space to safely set the wrestling choreography

• The cast was half young performers (under 18) and half local professional actors

• Complex scenic transitions including bicycle riding and transitioning between two large mats that needed to be safely secured to the floor for the wrestling sequences

• Cue heavy play with many sound and lighting cues; operated both boards

Unique Elements:

• Served as Production Stage Manager and scheduled and ran all production meetings, scheduled load in times, and publicity calls

• Cast of 16 children with our lead, Maleficent, being legally blind and needing assistance

• Rehearsals ran simultaneously with classes, so all children were called for all hours of every rehearsal